In Holy / Creepy Weeding I try to recreate the desires, anxieties and pleasures associated with marriage. It is an ironic look totally biased, an opinion of a moment both intimate and alienated, private and public. As a part of Murders, this work is a subjective look at the relationship between Eros and Thanatos. It is a quick look at the relationship between sex, life, death and love. It is a question asked by these strange connections. It is photography and desire. The photographs are like gunshots, and we can see fictional murders where the corpse has a certain glamour. Conceptual murders. There is no realism, no blood. The body here leads directly to life. We can say that our corpses enjoy very good health.
En Holy / Creepy Weeding intento recrear los deseos, ansiedades y placeres asociados con el matrimonio. Es una mirada irónica totalmente sesgada, una opinión de momento íntima y alienada, privada y pública. Como parte de los asesinatos, este trabajo es una mirada subjetiva a la relación entre Eros y Thanatos. Es una mirada rápida a la relación entre sexo, vida, muerte y amor. Es una pregunta que hacen estas extrañas conexiones. Es la fotografía y el deseo. Las fotografías son como disparos, y podemos ver asesinatos ficticios donde el cadáver tiene cierto glamour. Asesinatos conceptuales. No hay realismo, ni sangre. El cuerpo aquí conduce directamente a la vida. Podemos decir que nuestros cadáveres gozan de muy buena salud.
Happy Death. JinJing in Apple Hotel. Shanghai 
Dreams of Reason. R in the Wedding Room, Maanshan 
I hate teddy bears. Today I feel sacry creepy romantic. Rua in Manshaan 
Octopus is in jail. Rua in Maanshan 
St. Teresa’s passion is Weird. JJ, Shanghai 
The Last Wedding. T, Wuhan 
Happy Death. Z, Shanghai 
Aureole in the room after the cake. Nanjing 
Creepy Holy Married! R in the Weeding. Maanshang
